Year 1 Creative Projects (introduction to creative practice)

NOTE : This page will be updated as the course progresses.

This course is intended as an introduction to practical creative projects.

You work in groups to conceive, develop and produce finished practical software projects in creative computing, making the fullest possible use of your creative and coding skills at level 1. Each project is uniquely specified to allow students the fullest possible creative choice, and projects are mentored by course leaders and professionals to ensure that they are at the appropriate level, and to provide students with specific programming and practical suggestions where required. All student projects must feature the creative use of digital media technologies through applied programming.

In addition to allowing students to develop their skills in a chosen area of interest, this unit encourages students to make coherent judgments regarding the application of their computing skills as they develop and reinforce their technical knowledge through creative projects.

Some of the skills you will be expected to learn and use are covered in the following online resources. You will have come across these in ‘Introduction to Digital Media’.

Week 1 : Introduction to the Course

Lecture Notes / Links

YEAR-1-Creative-Computing-Project-brief – DEADLINE MAY 2nd 2014

NOTE : Visiting students will need to complete their commentary by 28th March 2014

Assets for Marco’s Demo

 

Week 2 : Animation

Procedural Animation

 

Week 3 : Sound

 Introduction to Sound and its effects

Week 4 :

Lecture and examples : Interfaces and Interaction

Posture Recogniser Package

Zigfu

Lecture video

Week 5 : PRESENTATIONS

Week 6 : Audio DSP

Intro to Audio DSP

igor.gold.ac.uk/CreativeComputing/creativecomputation/wp-content/uploads/introtosound.pdf

Audio Waveforms

igor.gold.ac.uk/~mus02mg/jsvtest/waveforms2.html

igor.gold.ac.uk/~mus02mg/jsvtest/waveformEquations.txt

Here are some examples of how to do analysis using my Maxim library (All these examples take a while to load – wait for it to load then click/drag in the screen somewhere)

igor.gold.ac.uk/~mus02mg/js/Analysis_1

igor.gold.ac.uk/~mus02mg/js/Analysis_2

These examples of how to create basic samplers / synths in processing with Maxim.js

igor.gold.ac.uk/~mus02mg/js/DJTube/

igor.gold.ac.uk/~mus02mg/js/basic_synth/

igor.gold.ac.uk/~mus02mg/js/MusicMachine/

Download code for all examples :

igor.gold.ac.uk/~mus02mg/js/AudioExamples.zip

Week 7

Complexity

doc.gold.ac.uk/CreativeComputing/creativecomputation/?page_id=1257

doc.gold.ac.uk/CreativeComputing/creativecomputation/CP/mandelbrot.html

doc.gold.ac.uk/CreativeComputing/creativecomputation/CP/julia.html

 

——————————————–

Processing : processing.org/

Daniel Shiffman :

natureofcode.com/

Processing Workbook : Creative Computing Vol1.

Design Basics : gdbasics.com

Introduction to Javascript for sound and animation :

doc.gold.ac.uk/~mus02mg/HTML5/

www.html5rocks.com/

Web Audio API Examples :

chromium.googlecode.com/svn/trunk/samples/audio/index.html

Introduction to Phonegap.

JQuery Mobile : jquerymobile.com/

Introduction to jQuery

doc.gold.ac.uk/~mus02mg/jquery.pdf

doc.gold.ac.uk/~mus02mg/jqueryexamples.zip

jqueryui.com/

Wireframes :

mashable.com/2010/07/15/wireframing-tools/

A wireframe is a mock up of your project – a visual plan with indications of what will happen. It need not be complex and can even be hand drawn. It must, however, be clear.

Assessment

Further reading :

Joshua Noble, “Programming Interactivity: A Designer’s Guide to Processing, Arduino, and openFrameworks”, O’Reilly Media, 2009

Art & Physics: Parallel Visions in Space, Time, and Light (P.S.) Leonard Shlain

Design, Form, and Chaos

Mr. Paul Rand

Visual display of quantative information
Edward Tufte

Chapter Zero: Fundamental Notions of Abstract Mathematics (2nd Edition)
Carol Schumacher

The Psychology of Computer Programming: Silver Anniversary Edition
Gerald M. Weinberg

Phantoms in the Brain: Probing the Mysteries of the Human Mind
V. S. Ramachandran, Sandra Blakeslee

Dynamics: The Geometry of Behavior (Studies in Nonlinearity)
Ralph Abraham, Christopher D. Shaw

Andy Hunt, Ross Kirk, Richard Orton, Benji Merrison, “A generic model for compositional approaches to audiovisual media”, Cambridge Journals, 1998

Rodrigo F. Cádiz, “Fuzzy logic in the arts: applications in audiovisual composition and sound synthesis”, NAFIPS, 2005

Michael Faulkner/D-FUSE, “vj audio-visual art + vj culture”, Laurence King Publishing Ltd, 2006

Mick Grierson, “Audiovisual composition”, into the pill, 2007

PDF    Send article as PDF