Bibliography

Here's a list of books you may find useful

Amos, M. 2006. Genesis Machines. The New Science of Biocomputing. London: Atlantic Books.

Artaud, A. 1958. The Theatre and Its Double. NY: Grove Press.

Asimov, I. 1960. The Wellsprings of Life. NY: Signet.

Augaitis, D and Lander, D. 1994. Radio Rethink. Art, Sound and Transmission. London: Litdistco.

Baudraillard, J. 2006. Symbolic Exchange and Death. London: Sage. (reprint, original 1976).

Baylis, A., McKinney, J., Popat, S., Wallis, M. 2007. Emergent Objects: Designing through performance. International Journal of Performance Arts and Digital Media (in press).

Behr, S. 1999. Expressionism. London: Tate Gallery Publishing.

Besmer, F. E. 1983. Horses, Musicians, & Gods. The Hausa cult of possession-trance. Massachusetts: Bergin & Garvey Publishers.

Bredekamp, H. 1995. The lure of Antiquity and the cult of the Machine. The Kunstkammer and the Evolution of Nature, Art and Technology. Princeton: Markus Wiener Publishers.

Chertok, L., Stengers, I. 1992. A Critique of Psychoanalytic Reason. Hypnosis as a scientific problem from Lavoisier to Lacan. Stanford: Stanford University Press.

Chion, M. 1994. Audio-Vision. Sound On Screen. NY: Columbia University Press.

Cook, P. R. 2001. Music, Cognition and Computerized Sound: An Introduction to Psychoacoustics. Cambridge: MIT Press.

Crowley, A. 1980. (original 1913). Book 4. York Beach: Red Wheel/Weiser.

Davis, E. 1999. TechGnosis. Myth, Magic and Mysticism in the Age of Information. London: Serpents Tail.

Dick, P, K. 1964. The Simulacra. London: Orion Publishing.

1964. Martian Time-Slip. London: Orion Publishing.

1965. The Three Stigmata of Palmer Eldritch . London: Orion Publishing.

1981. VALIS. London: Orion Publishing.

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Dixon, S. 2007. Digital Performance. Cambridge: MIT Press.

Eysenck M. W.  & Keane M. T. 1998. Cognitive Psychology. A Student’s Handbook. 3rd Ed. East Sussex: Psychology Press.

Gere, C. 2002. Digital Culture. London: Reaktion Books.

Gray, C. H. 2002. Cyborg Citizen. NY: Routledge.

Gray, C. H. (Ed.) 1995. The Cyborg Handbook. NY: Routledge.

Hesse, H. 1965 (original 1927). Steppenwolf. London: Penguin.

Hole, J. W. Jr. and Coos, K. A. 1994. Human Anatomy; Second Edition. Wm. C. Brown Publishers.

Hughes-Freeland, F (ed.). 1998. Ritual, Performance, Media. London: Routledge.

Huxley, A. 1994 (original 1932). Brave New World. London: Harper Collins.

Jung, C. G. 1964. Man and His Symbols. London: Dell Publishing.

2002 (original 1974). Dreams. London: Routledge.

Kac, E. 2005. Telepresence and Bio Art; Networking Humans, Rabbits and Robots. Ann Arbor: University of Michigan Press.

Livio, M. 2002. The Golden Ratio. The Story of Phi, the Extraordinary Number of Nature, Art and Beauty. London: Review.

McLuhan, M. 1994. Understanding Media. The Extension of Man. Massachusetts: The MIT Press.

Morus, I. R. 2002. Bodies/Machines. Oxford: Berg.

Paul, C. 2003. Digital Art. NY: Thames & Hudson.

Reber, A. S. 1995. Penguin Dictionary of Psychology, 2nd Ed. London: Penguin Group.

Roads, C. 1996. The Computer Music Tutorial. Massachusetts: The MIT Press.

Roederer, J. G. 1995. The Physics and Psychophysics of Music. 3rd Ed. New York: Springer-Verlag.

Rowe, R. 2001. Machine Musicianship. Massachusetts: MIT Press.

Schafer, R, M. 1994. The Soundscape, The Tuning of the World. Vermont: Destiny Books.

Schiphorst, T. 2007? Body Matters: The Palpability of Invisible Computing. Paper (to be published?) Canada: Simon Fraser University.

Waxman, D., Pedersen, D., Wilkie, I., Mellett, P. (ed.). 1989. Hypnosis. The Fourth European Congress at Oxford. London: Whurr Publishers.

Weiss, A. S. 1995. Phantasmic Radio. Durham: Duke University Press.

Wiener, N. 1954. The Human use of Human Beings. Cybernetics and society. Boston: Houghton Mifflin.

Wigram, T., Pedersen, I. N., Bonde, L. O. 2004. A Comprehensive Guide to Music Therapy. Theory, Clinical Practice, Research and Training. London: Jessica Kingsley Publishing.

Wilson, S. 2002. Information Arts: Intersections of art, science, and technology. Cambridge: The MIT Press.

Wishart, T. (S. Emmerson, ed.) 1996. On Sonic Art. Reading: Harwood Academic Publishers.

Wurzer, W, S (ed). 2002. Panorama. Philosophies of the Visible. NY: Continuum.

z’ev. 2001. Rhythmajik: Practical Uses of Number, Rhythm and Sound. Rhythmajik, Ink. http://rhythmajik.com