Publications

Selected Publications :

Grierson, Mick . 2017. Goldsmiths Digital: Research and Innovation in the Creative Economy. In: Morag Shiach and Tarek Virani, eds. Cultural Policy, Innovation and the Creative Economy: Creative Collaborations in Arts and Humanities Research. Palgrave, pp. 83-95. ISBN 978-1-349-95112-3 [Book Section]

Akten, Memo and Grierson, Mick . 2016. ‘Collaborative creativity with Monte-Carlo Tree Search and Convolutional Neural Networks’. In: Constructive Machine Learning Workshop, NIPS 2016. Barcelona, Spain 10 Dec 2016. [Conference or Workshop Item]

Akten, Memo and Grierson, Mick . 2016. ‘Real-time interactive sequence generation and control with Recurrent Neural Network ensembles’. In: Recurrent Neural Networks Symposium, NIPS 2016. Barcelona, Spain 8 Dec 2016. [Conference or Workshop Item]

Broad, Terence and Grierson, Mick . 2016. ‘Light Field Completion Using Focal Stack Propagation’. In: ACM SIGGRAPH 2016 Posters. Anaheim, United States. [Conference or Workshop Item]

Fiala, J ; Yee-King, Matthew and Grierson, Mick . 2016. Collaborative Coding Interfaces on the Web. Proceedings of the International Conference on Live Interfaces, pp. 49-57. [Article]

Olowe, Ireti; Barthet, Mathieu; Grierson, Mick and Bryan-Kinns, Nick. 2016. ‘FEATUR.UX: exploiting multitrack information for artistic visualization’. In: Proceedings of the International Conference on Technologies for Music Notation and Representation – TENOR2016. TENOR, United Kingdom. [Conference or Workshop Item]

Kirk, Pedro ; Grierson, Mick ; Bodak, Rebeka ; Ward, Nick; Brander, Fran; Kelly, Kate; Newman, Nicholas and Stewart, Lauren . 2016. Motivating Stroke Rehabilitation Through Music: A Feasibility Study Using Digital Musical Instruments in the Home. CHI ’16 Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems Pages 1781-1785, pp. 1781-1785. [Conference or Workshop Item]

Katan, Simon ; Grierson, Mick and Fiebrink, Rebecca . 2015. ‘Using Interactive Machine Learning to Support Interface Development Through Workshops with Disabled People’. In: Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems (CHI ’15). Seoul, Korea, Republic of 18-23 April 2015. [Conference or Workshop Item]

Jakubowski, Kelly ; Halpern, Andrea; Grierson, Mick and Stewart, Lauren . 2014. The effect of exercise-induced arousal on chosen tempi for familiar melodies. Psychonomic Bulletin and Review, ISSN 1069-9384 [Article]

Chapman, Dominik and Grierson, Mick . 2014. ‘N-gon Waves – Audio Applications of the Geometry of Regular Polygons in the Time Domain’. In: Proceedings of the International Computer Music Conference. Athens, Greece. [Conference or Workshop Item]

Grierson, Mick and Kiefer, Chris . 2014. Contemporary Approaches to Music BCI Using P300 Event Related Potentials. In: Eduardo Miranda and Julien Castet, eds. Guide to Brain-Computer Music Interfacing. London: Springer, pp. 43-59. ISBN 978-1447165835 [Book Section]

Parag, K and Grierson, Mick . 2013. ‘Mining Unlabeled Electronic Music Databases through 3D Interactive Visualization of Latent Component Relationships’. In: In Proceedings of the 2013 New Interfaces for Musical Expression Conference. Korea, Korea, Republic of May 27-30, 2013. [Conference or Workshop Item]

Grierson, Mick and Kiefer, Chris . 2013. ‘NoiseBear: A Wireless Malleable Instrument Designed In Participation with Disabled Children’. In: New Interfaces For Musical Expression. Daejeon, Korea, Republic of. [Conference or Workshop Item]

Grierson, Mick and Kiefer, Chris . 2013. ‘NoiseBear: a wireless malleable multiparametric controller for use in assistive technology contexts’. In: CHI ’13 Extended Abstracts on Human Factors in Computing Systems. Paris, United Kingdom. [Conference or Workshop Item]

Grierson, Mick and Boon, Tim. 2013. The Oramics Machine: The Lost Legacy of British Electronic and Computer Music. In: Frode Weium and Tim Boon, eds. Material Culture and Electronic Sound (Vol 8 Artefacts: Studies in the History of Science and Technology). Smithsonian Scholarly Press/Rowman & Littlefield Publishers. ISBN 978-1935623106 [Book Section]

Parag, K; Grierson, Mick and Smith, Tim J. 2013. Corpus-Based Visual Synthesis: An Approach for Artistic Stylization. In: , ed. Proceedings of the 2013 ACM Symposium on Applied Perception (SAP ’13). New York: ACM, pp. 51-58. [Book Section]

Williamson, Victoria J. ; Liu, Fang; Peryer, Guy; Grierson, Mick and Stewart, Lauren . 2012. Perception and action de-coupling in congenital amusia: sensitivity to task demands. Neuropsychologia, 50(1), pp. 172-180. ISSN 1873-3514 [Article]

Grierson, Mick and Kiefer, Chris . 2011. ‘Maximillian: An easy to use, cross platform C++ Toolkit for interactive audio and synthesis applications’. In: Proc. ICMC. Huddersfield, United Kingdom. [Conference or Workshop Item]

Grierson, Mick and Kiefer, Chris. 2011. ‘Better brain interfacing for the masses: progress in event-related potential detection using commercial brain computer interfaces’. In: 2011 Annual Conference Extended Abstracts on Human Factors in Computing Systems. Vancouver BC. [Conference or Workshop Item]

Grierson, Mick ; Kiefer, Chris and Yee-King, Matthew . 2011. ‘Progress Report on the EAVI BCI Toolkit for Music: Musical Applications of Algorithms for use with consumer brain computer interfaces’. In: Proc. ICMC. Huddersfield, United Kingdom. [Conference or Workshop Item]

Grierson, Mick . 2009. ‘Plundermatics: Real-Time Interactive Media Segmentation for Audiovisual Analysis, Composition and Performance’. In: Electronic Visualisation and the Arts Conference. Computer Arts Society, London, United Kingdom. [Conference or Workshop Item]

Grierson, Mick . 2008. ‘Composing With Brainwaves: Minimal Trial P300b Recognition as an Indication of Subjective Preference for the Control of a Musical Instrument’. In: Proceedings of the ICMC. Belfast, United Kingdom. [Conference or Workshop Item]

Grierson, Mick . 2008. ‘Making Music with Images : Interactive Audiovisual Performance Systems for the Deaf’. In: ICDVRAT Artabilition Session on Music and Disability. Portugal. [Conference or Workshop Item]

Young, Michael W. ; Drever, John L. ; Grierson, Mick and Stonehouse, Ian . 2008. Goldsmiths Electronic Music Studios: 40 Years. International Computer Music Conference Proceedings 2008, pp. 315-318. [Article]

Grierson, Mick . 2007. ‘NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT’. In: International Computer Music Conference 2007. UNDEFINED 8/1/2007. [Conference or Workshop Item]

Casey, Michael A. and Grierson, Mick . 2007. ‘Soundspotter and Remix-TV: Fast Approxmate Matching for Audio-Visual Performance’. In: International Computer Music Conference. Copenhagen, Denmark. [Conference or Workshop Item]

Audiovisual Composition, (Thesis) University of Kent 2005. Full text

Selected Commissions, Installations and Performances :

“The Dean Rodney Singers”, 6 Interactive Music Installations for the Paralympics Unlimited Festival, South Bank Centre, 2012.

“From Oramics to Electronica : The Oramics Machine”, Interactive Installation, Science Museum, 2011-present day.

Technical Consultant / Designer, “The Clock”, Christian Marclay, White Cube Gallery, Frieze Art Fair, London, October 2010 (Winner, Golden Lion, Venice Biennale)

“Braindrop”, Brain-Computer-Interface Music Installation, Knowledge of the Hidden, The Barbican, London, October 2010 (With Ryan Jordan)

“Delusions of Alien Control I, II, III”, Real-time Audiovisual Composition, Stench IV, The Phoenix, Leicester, June 2009

“Delusions of Alien Control III”, Real-time Audiovisual Composition, Collision Festival, Area 10, London October 2009

“Delusions of Alien Control III”, Real-time Audiovisual Composition, Seeing Sound Festival, Bath Spa University, Bath, October 2009

“Study for Film and Audience II”, Interactive Installation, British Academy Composer Awards, The Law Society, London, October 2008

“Study for Film and Audience I”, Interactive Installation, Sonic Arts Network EXPO festival, Brighton 2008

Plundermatics, Semi-automated Audiovisual Appropriation, Collision Festival 2008

From Honey to Ashes, Sonic Arts Network Expo 2007

Audiovisual Composition, Future of Sound National Roadshow, 2007

Audiovisual Composition, Into the Pill, 2007

Daphne Oram, Electronic Music Pioneer, Short Film, Dir. Mick Grierson, Turntable Cafe, BBC Radiophonic Workshop Special, Purcell Room, South Bank Centre, 2006

‘Structure Interne’, Live Audiovisual Composition, Dir. Mick Grierson, 2003, IRCAM, Paris, Resonances Festival 2003, Sonic Arts Network Soundcircus Festival, 2004, Kingston University 2004.

‘Third World Warhol’, Live Audiovisual Composition, Dir. Mick Grierson, 2004.

‘The Mudlark’, Short Film, Dir. Mick Grierson, Canterbury Festival, 2004

‘Remote Control’, Live Interactive Documentary Film Performance, Dir. Mick Grierson, ICA CyberSonica Festival, London, Kent International Film Festival, Canterbury 2002

‘Maelstrom’ Live Interactive Experimental Surround Sound Artwork, Dir. Mick Grierson, Sounds New Festival, Canterbury 2002.

‘Ariel’, Short Film, Dir. Mick Grierson, Ashley Thorpe, Mark Stevens, Kent International Film Festival, 1999

‘Hertz’, Short Film, Dir. Mick Grierson, 1998, Kent International Film Festival, 1998

‘Darker Landscapes’, Short Film, Dir. Mick Grierson, Ashley Thorpe, Mark Stevens, 1997, Winner, Kent Film Festival Open Award for Best Short Film, 1998